Chairs

The chair is a familiar object in our daily lives, yet it holds layers of meaning in the Western world. It’s design, its function, who occupies it, and where it stands all carry subtle layers of meaning—whether it’s a folding chair, the seat of the Holy See or the chair of a judge. Its design and function are deeply tied to our roles, status, and identity.

Chairs follow the human form and are found everywhere, yet they are not essential. We could sit on the floor or lie on a bed, yet we rely on chairs in ways we scarcely question. Their omnipresence shapes our daily routines and interactions.

The chairs I make absorb these cultural and functional elements, creating object that step outside of this context of the chair. I aim to transform the chair into sculptural entities as standalone objects that challenge the meaning we assign to the everyday.

Monstrosis

The Monstrosis sculptures explore the delicate balance between softness and strength, fluidity and permanence. Reminiscent of clouds, jellyfish, or unfamiliar chairs, these forms evoke a sense of both weightlessness and grounding. Crafted from ceramic stoneware and glazed uniquely, they blur the boundaries between the natural and the man-made.

Our perception of the world is shaped by our senses, histories, and beliefs, yet we often overlook its inherent imperfection. Our brains fill in the gaps, constructing reality from countless perspectives. The Monstrosis challenge these assumptions by distorting familiar forms, questioning the notion of a singular, absolute reality, and the vanity of assuming our personal truths are universal.